You Can See Everything A24 is the search line for Nathan Fielder and Lance Oppenheim’s documentary about Elizabeth Holmes and partner Billy Evans, filmed from the weeks before Holmes began her federal prison sentence and continued across roughly three years. A24 has set a Friday, 16 October 2026 theatrical release. Film at Lincoln Center added the New York premiere to the Spotlight section of the 64th New York Film Festival, debuting Wednesday, 30 September 2026 at Alice Tully Hall with Fielder and Oppenheim expected. This ADVANCE Film guide sticks to Festival and studio-reported dates—no invented box-office figures.
Theatrical date and festival path
The film premiered as a secret screening at the 53rd Telluride Film Festival on 6 September 2026; attendees surrendered devices and did not know the title in advance. The same day, A24 released a teaser and confirmed the 16 October theatrical window (as reported by The New York Times and summarised by The Film Stage). NYFF64’s Spotlight slot on 30 September is the next confirmed public stop before the October roll-out. Runtime listed on Wikipedia’s film entry: 174 minutes.
Who made it—and what it is (and is not)
Directed by Nathan Fielder and Lance Oppenheim; producers include Fielder, Oppenheim, Tatiana Bears, Maggie Ambrose, and Jack Davis. Cinematography: David Bolen; edit: Adam Locke-Norton; music: Ari Balouzian. Production companies named in public credits: A24, To Be Formed, Blow Out Productions. Starring Holmes, Fielder, and Billy Evans. This is Fielder’s feature directorial debut. It is not a dramatised The Dropout-style biopic: NYFF’s synopsis frames Holmes inviting Fielder into their home about 34 days before incarceration, then following the couple as the film interrogates documentary objectivity and self-presentation.
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Early Telluride coverage (Variety, Deadline, Vanity Fair, LA Times) stresses access and form over a fresh fraud timeline. Fielder has said publicly that Bad Blood already covered the corporate story; the hook is living with Holmes and Evans after the public narrative hardened. Review aggregates at first look (Rotten Tomatoes / Metacritic samples cited on Wikipedia in early September) were extremely high on tiny review counts—treat those as opening-weekend festival heat, not a final scoreboard.
How this sits in the Film releases cluster
For adjacent festival and documentary calendar pieces already live on this desk, see our NYFF 2026 Paper Tiger Opening Night guide (https://www.thesundayprofile.com/nyff-2026-paper-tiger) and the NAZA documentary US release path (https://www.thesundayprofile.com/naza-documentary-us-release) (NYFF / IFC / LA). Those cover different titles; this page owns the Fielder–Oppenheim–Holmes A24 theatrical spike on 16 October.
Sources and caveats
Dates and NYFF placement: The Film Stage (10 September 2026) citing Film at Lincoln Center and the New York Times. Telluride secret-screening reveal: IndieWire, TheWrap, Hollywood Reporter, NYT. Credits, runtime, and premise: Wikipedia’s You Can See Everything entry cross-checked against A24’s film page. Limited vs nationwide theatrical pattern was still unconfirmed in early reporting—do not invent screen counts. No fabricated quotes from Holmes or the directors beyond what those outlets already published.